Please consider supporting us by disabling your ad blocker. Also the blues final is very funny. The question he asks to somebody is "Why do you think I'm untuned? He says "far from the sea, here there's no solar music, we are on the other side" that's famous for its foggy winters. I'm not sure if the trombobe behind is a real instrument or it's still his voice altered by some device. In general I don't like "ghost tracking", but the two here deserve to be listened, even if this second is a reprise of the second track but with more dramatic lyrics. As John explains, the bass line is obtained from a toy little guitar with a pick up applied on it and changing the sound with an octaver.
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I strongly suggest to grab a translation of the lyrics as there's a lot of poetry. John vagk those years making a lot of collaborations and live performances, but this album is what comes from his own creativity. It's a vocal experiment of the kind of Demetrio Stratos. Other sites in the MAC network: Thanks to cago for the addition Edit this entry. John defines this track as the most "Rock" of the album.
This is the same monologue included in the DVD. A fantastic jazz track.
VAGO SVANENDO
This albums deserves to be sbanendo. The "Mattia" of the subtitle is inspired to a comedy character and is a sort of schizofrenic alter ego of John.
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As John explains, the bass line is obtained from a toy little guitar with a pick up applied on it and changing the sound with an octaver. There's a bit of Beatles flavor in this part of the track, of course of their psychedelic period Revolver, Sgt. It's grotesque with its captivating svanenso and the rocking tempo. Forum user Forum password.
The song is about "madness".
JOHN DE LEO Vago Svanendo reviews
The vocal performance of John de Leo is fantastic. I'm not providing the link as I don't know if the interviewer is happy.
The album is opened by a short intro. On this song John uses different vocals not only in terms of pitch. Copyright Prog Archives, All rights reserved.
John doesn't like computers and is used to filter and modify the sounds using pedals and any non-digital equipment vxgo can think of. It changes from waltz to jazz to tarantella and the part with trumpet, sax and guitar on which John first plays the bass line with his voice before turning to scat is impressive.
As John explained in an interview, the four piano notes of the title have svanendl "analogically manipulated". The connection with the band is just in his songwriting as he was author of some of the band's songs. Please consider supporting us by disabling your ad blocker.
If this is not yet a masterpiece it's possible that the new work will be. Latest members reviews No review or rating for the moment Submit a review. Is there a ghost track?
Vago Svanendo
Also the blues final is very funny. Three minutes of silence and John speaks about music over a sax.
It's like the Lucky's monologue on Waiting for Godot: Even being experimental is accessible to everybody and can be a good entry-point for avant newbies. I find very hard describing it musically speaking. The four notes lasts 15 seconds, what follows is 30 seconds of sonic experimentation.
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